Motion Pixels

How Cuba Survived Peak Oil

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http://www.powerofcommunity.org/cm/index.php When the Soviet Union collapsed in 1990, Cuba's economy went into a tailspin. With imports of oil cut by more than half – and food by 80 percent – people were desperate.
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The Tempest

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The Tempest from Verb Studios on Vimeo.

 'The Tempest' is an experimental dance video collaboration between video artist Tim Parish and sound artist/performer Lulu Madill aka Buttons Touching. It is an interpretation of the traditional raindance, and a choreography inspired by the element of wind.


Good Bloke Weekly > Special Edition

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 Good Bloke > Special Edition
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'Dogs of Rotterdam' by Barons of Tang

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The Dogs of Rotterdam from tim parish on Vimeo.

 8mm scratch videoclip for the song 'Dogs of Rotterdam' by Melbourne gypsy deathcore band The Barons of Tang. Shot at the Northcote Social Club. Produced and Edited by Tim Parish, Verb Studios.

For more information on The Barons of Tang:
http://www.myspace.com/thebaronsoftang

To find more videos and art by Tim Parish
http://www.undergrowth.org/user/verb



Robert Newman's History of Oil > Feature Documentary

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In this brilliant 45 minute piece of live theatre powered by bicycle power, English comedian and political satirist Rober Newman explains the 100 year history of oil at the Hoxton Hall Theatre, London. A fascinating and entertaining primer for the politics behind the current conflicts in the Middle East, oil power and activism.


From Little Things Big Things Grow > video by Getup.org

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The GetUp Mob perform From Big Things Little Things Grow featuring Paul Kelly, Kev Carmody, Missy Higgins, Urthboy, Ozzi Batla, John Butler and more.


Fused by Paradox > Shuki Shalev

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"Since the early 1990s Psychedelic Electronic Dance Music Culture (PEDMC) gatherings – centered on the psychedelic trance music genre and its accompanying drug-fueled carnivalesque revelry – have significantly impacted upon Israeli culture in general and on its young generations in particular. In fact, Israel is arguably the only country in the world where psytrance is a prevalent form of popular music and one so widely exported that the global trance community recognizes Israel as a 'trance power'. Occurring on a regular basis, local PEDMC events are an increasingly common form of recreation among diverse segments of Israeli youth. Known as 'parties' or mesibot, Israeli PEDMC gatherings have a reputation of being "full-on" in their approach to music production and performance as well as to participants' open and often brazen use of illegal drugs. Yet, despite – or perhaps because of their popularity – estimates claim that these gatherings attract between fifty to one hundred thousand monthly participants – mesibot continue to be viewed negatively by the Israeli mainstream establishment (e.g. educators, media and law enforcement) who feel challenged by local PEDMC affiliates' seemingly countercultural stance.


Welcome To The Future > Iraq Anniversary > Video Blog by Richard Neville

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Richard Neville looks back at the war in Iraq on its 5th anniversary and discusses the failure of mainstream media and such sites as YouTube to convey the full spectrum of horrors committed by occupiers. Puppy tossing is a metaphor of psychopathic breakdown. Neville compares those who rely on conventional news sources to the prisoners in Plato's cave - ill equipped to see what's really happening. And as for the instigators of the invasion, why are they still at large?


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The Shape Of My Tongue

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 'The Shape Of My Tongue' is part of a series of contemporary poems inspired by the words of sufi poet Rumi and performed by Sydney artist Thomas, Jack of Hearts.

Music by Briztronix.

Produced and directed by Tim Parish aka VERB

http://www.myspace.com/thomasjackofhearts

http://www.briztronix.com/

http://www.undergrowth.org/user/verb


The Bandito Newshour

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Bandito Newshour is a short preview of the experimental theatrical news service operating live out of Open Studio in Northcote every Thursday. Bandito presents world news with a mixture of satire, speculation and emotion, attempting to represent the news in a way that does not disenfranchise the viewer from the emotional impact of the information presented.


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