There exists in Melbourne an elusive community of artists, musicians, poets, flaneurs, fringe-dwellers, and radicals who have created a complex and dynamic social network which revolves around numerous converted-warehouse-come- arts-spaces, live-in-studios and grass-roots arts venues.
This is the rumbling in the underground. This book dares to capture the depth and charge of one of the most thriving creative hubs in the world, and thrusts its underground scene upon a national and global stage.
It reveals unseen aspects of Melbourne, and why it continues to be a haven for Australia’s independent arts and radicalism whose philosophy and lifestyles find expression in the city’s warehouse movements, its festivals, and in the enclaves of the rag-tag theatrical, musical and circus communities.
What has evolved is a significant social and artistic movement; an independent micro-society that organizes itself in accord with anarchistic principles and is without dogma or guiding manifesto. This unofficial community is bound together by the numerous, diverse, and ever changing arts-events which emerge from, and are usually held within, the communities venues. The result is colourful, energetic, vital, expressive, and rich, with events spanning decadent artist banquets, masked-balls, cabaret, theatre, visual art, and performance, which in retrospect, may be considered a signifificant contribution to Melbourne’s historical culture-scape, and could call forth a new generation of un-institutionalised artists capable of revitalizing and re-humanizing Melbourne’s Arts and Culture.